Russ’s Art Blog: N.C. Wyeth, Gunfight
This is N.C. Wyeth’s Gunfight (1916. Oil on canvas, 34″ x 25″), a piece that really caught my eye when we were going through the museum.
This is N.C. Wyeth’s Gunfight (1916. Oil on canvas, 34″ x 25″), a piece that really caught my eye when we were going through the museum.
This is Frederic Edwin Church’s The Icebergs, and you may be reminded of Dan Simmon’s recent book The Terror.
This is Edd Cartier’s cover for Unknown Fantasy Fiction, December 1939, and is a striking piece in both execution and in idea.
I was actually doing some searching for a few pieces by Vasily Vereshchagin, and I decided to look around a bit at some of the other Russian artists.
It’s been awhile since I’ve written an art blog, which I’ve done off and on for a few years. I usually discuss a piece of art, almost always one that I like myself, and give the world my thoughts on it.
I don’t get to art museums and galleries enough, but it can really give you a different impression of a piece of art. In this case, last week I was at the Phoenix Art Museum and saw the piece here, Pollice Verso (Thumbs Down) by Jean Leon Gerome (oil, 1872, Read more…
We’re back on a single piece of art this week (since I couldn’t decide on a different topic), this time it’s John Everett Millais’ The Blind Girl (Oil on canvas, 1854-1856, 32 1/2″ x 24 1/2″). It’s one of those pieces where the title really does impact what you see Read more…
This week, I’m talking about artist Gregory Manchess (www.manchess.com), one of those artists who seems to be able to fit into any genre. Whether it’s work for movies or television, books or magazines, or even just fine art, Manchess has a great ability to capture different ideas in interesting and Read more…
This week we’re back to a piece of art, in this case Franklin Booth’s War on the Tiger (ink, 1908). I’m a huge fan of ink and engraved works, and Booth was a master of the pen. He is one of the most influential ink artists ever, and his techniques Read more…
On the road of the new and improved (or at least different) “This Week’s Art” posts, this week I thought I’d talk about an art term. Partly for those who may not know what it means, and partly because I get to learn a little too. This week’s art term/word Read more…
As I mentioned last week, I’m hoping to change things up a little with the art blogs, and offer more than just a “piece of the week”. I’ll be featuring artists sometimes that you may be familiar with, if not in name than in work. This week, I’m going to Read more…
After a busy (and depressing) holiday season, I’m attempting to restart the art blog idea. This time though, I’m going to work things a little differently. Instead of just a piece of art each week, I’m going to alternate on artistic ideas. Some weeks will still be about a certain Read more…
This is Franz Von Stuck’s Sin (1893, Oil on canvas, 35″ x 21″), which may get my vote for having perhaps the most accurate title of an art piece I’ve seen. I like the color choices and palette here that Von Stuck used, or rather a lack thereof. He Read more…
Ok, so my “little break” was more like a couple of weeks. Add “extreme coughing from the lungs” to “Post-Las Vegas” and there you go. But I’m back, and this one is an interesting one for me. It’s one of the first art pieces that I really took something Read more…
The fans of Edgar Allan Poe out there should like this one (not that they are probably reading my blog, but it’s worth a try). This is Antoine Wiertz’s The Premature Burial (1854, media/size unknown, aka The Hasty Burial), a piece I first saw many years ago accompanying Poe’s Read more…
This is Jean-Léon Gérôme’s The Duel After the Masquerade (1857, Oil, 20″ x 28″), a piece I came across when I was actually looking for another of his works (this one, which may come up again in the future). It struck me as an interesting piece, and a much Read more…
This is Gustave Dore’s Rising of the Bones (aka, Vision of the Valley of the Dry Bones, 1865, engraving), a masterwork by one of the greatest engravers and artists that I’ve yet come across. When I started being an artist, there were certain works and creators that I was Read more…
I’m back from the brief hiatus known as the Northeastern Writer’s Conference (NeCon), and I’ve chosen a piece that I haven’t come across before. This is Gilbert Rogers’ The Dead Stretcher Bearer (1916, size and media unknown, possibly oil), a fairly disturbing war piece. Now, before I get too Read more…
This week it’s one of my very favorite pieces, and one from the previous incarnation of the “This Week’s Art” threads. This is Caspar David Friedrich’s A Wanderer Above a Sea of Mist, a stunning piece for me and one that I will eventually (when I have wallspace) show Read more…