I think sketching is a very valuable tool for an artist. I use it for practicing my craft, which is important. I use it to doodle certainly, to just let the brain play as it will. I also use it, almost like doodling, to really let my imagination run free. Read more…
Sir Hubert von Herkomer’s The Last Muster, a great example of realism and an almost illustrative idea
I’m all about cheery pics tonight, the other two I was thinking of were pretty dark too. Something in the air maybe? This is Jules Elie Delaunay’s Plague in Rome (1869, Oil on canvas, 52″ x 69″), also known as The Angel of Death. I might be wrong, but this Read more…
Ok, so it’s been a little while since the last one of these art blogs. I’ll see if I can’t post a few more of them, and without the 4 months between them. Above is Ivan Aivazovsky and Ilya Repin’s Pushkin’s Farewell to the Sea (1887, Oil on canvas), Read more…
This is N.C. Wyeth’s Gunfight (1916. Oil on canvas, 34″ x 25″), a piece that really caught my eye when we were going through the museum.
I was actually doing some searching for a few pieces by Vasily Vereshchagin, and I decided to look around a bit at some of the other Russian artists.
I don’t get to art museums and galleries enough, but it can really give you a different impression of a piece of art. In this case, last week I was at the Phoenix Art Museum and saw the piece here, Pollice Verso (Thumbs Down) by Jean Leon Gerome (oil, 1872, Read more…
After a busy (and depressing) holiday season, I’m attempting to restart the art blog idea. This time though, I’m going to work things a little differently. Instead of just a piece of art each week, I’m going to alternate on artistic ideas. Some weeks will still be about a certain Read more…
This is Franz Von Stuck’s Sin (1893, Oil on canvas, 35″ x 21″), which may get my vote for having perhaps the most accurate title of an art piece I’ve seen. I like the color choices and palette here that Von Stuck used, or rather a lack thereof. He Read more…
Ok, so my “little break” was more like a couple of weeks. Add “extreme coughing from the lungs” to “Post-Las Vegas” and there you go. But I’m back, and this one is an interesting one for me. It’s one of the first art pieces that I really took something Read more…
The fans of Edgar Allan Poe out there should like this one (not that they are probably reading my blog, but it’s worth a try). This is Antoine Wiertz’s The Premature Burial (1854, media/size unknown, aka The Hasty Burial), a piece I first saw many years ago accompanying Poe’s Read more…
This is Jean-Léon Gérôme’s The Duel After the Masquerade (1857, Oil, 20″ x 28″), a piece I came across when I was actually looking for another of his works (this one, which may come up again in the future). It struck me as an interesting piece, and a much Read more…
I’m back from the brief hiatus known as the Northeastern Writer’s Conference (NeCon), and I’ve chosen a piece that I haven’t come across before. This is Gilbert Rogers’ The Dead Stretcher Bearer (1916, size and media unknown, possibly oil), a fairly disturbing war piece. Now, before I get too Read more…
I’m back from a long, long trip to Washington, D.C., with this week’s new art piece. As always, let me know what you think of the art. This is James Ensor’s Skeletons Warming Themselves (1889, oil, 30″ x 24″), one of the pieces that I’ve been lucky enough to Read more…